Multidisciplinary Media Producer
Editor/AE
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Color Grading
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Cinematography
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Director/Coordinator
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Editor/AE ● Color Grading ● Cinematography ● Director/Coordinator ●
As a multi-disciplinary media producer with a reel comprised of skills ranging from development through post-production, I love refining and growing my skillset while creating thoughtful and exciting ways to communicate important stories and ideas.
I’ve worked with some of the entertainment industry’s top clients as an Assistant Editor, directed a team of shooters and editors to produce a new kind of philanthropic video outreach program, and am now turning my once narrative feature film into a deeply unique and personal documentary feature.
It’s never been clearer that today’s strong media producers will understand the creative pipeline front to back while stepping in where needed. Challenging times call for creative solutions and I’m excited to contribute to that process!
Assistant Editor, Black Spot — March 2022 - March 2024
As an Assistant Editor I worked with major streaming clients (NBC, WWE, Showtime, Disney, Paramount, AMC) to edit, version, and organize thousands of ad spots that were televised, streamed online, played theatrically, and even displayed on Times Square billboards. This required both a strong Premiere editing background and proficiency in animating GFX packages within After Effects. Additionally, in this role I worked closely with lead editors and our post-director to ingest/transcode media and create stringouts for documentary content while providing color grading assistance utilizing, AVID Interplay, Avid Media Composer and AVID Symphony respectively.
Video Content Director, Sunrise Association — March 2020 - August 2020
Before working in post, I had the very unique experience of directing the video production pipeline for the pediatric cancer organization, the Sunrise Association. Working quickly in the early days of the pandemic, I was tasked with conceptualizing a ‘virtual day camp’ for hundreds of campers and their families. I trained company staff in their new production process, coordinated and filmed hundreds of educational and entertaining video shoots alongside a team I worked to assemble, while directing a remote and on-site post-production team to ensure wildly quick turnarounds.
The program’s success gained the support of a $1M grant, the creation of Sunrise Studios, as well as a lucrative partnership with American Airlines.
Additionally, I would later produce a 60 minute feature on Sunrise’s Color War program. For that I shot footage on a BMPCC 4K, conducted interviews, edited, color graded, mixed to 5.1 surround sound, and produced all motion graphics elements.
Color Grading
Narrative Filmmaking
The Flying Deuces, 1939: Clean Up, Color Correct, 3.1 Sound Mix
Here’s something a bit unusual: As a side project, experiment, and birthday gift to my father and uncle, I decided to attempt to clean up the only feature length, public domain, Laurel and Hardy film.
Using a blu-ray master from 2015, I used today’s tools within DaVinci Resolve to upres the picture, clean up artifacts/compression banding, sharpen picture, color correct off hue scenes, correct light leaks, and clean/remix the former mono soundtrack in a 3.1 surround sound mix.
To complete the project we held a screening at the Kew Garden Cinemas’ ‘Classics on Screen’ series which played wonderfully!
